An updated paperback version of the book heralded as "a new benchmark in Marx scholarship" by the Los Angeles Times Before film made them international comedy legends, the Marx Brothers developed their comic skills on stage for twenty-five years. In Four of the Three Musketeers: The Marx Brothers on Stage, Robert S. Bader offers the first comprehensive history of the foursome's hardscrabble early years honing their act in front of live audiences. From Groucho's debut in 1905 to their final live performances of scenes from A Night in Casablanca in 1945, the brothers' stage career shows how their characters and routines evolved before their arrival in Hollywood. Four of the Three Musketeers draws on an unmatched array of sources, many not referenced elsewhere. Bader's detailed portrait of the struggling young actors both brings to vivid life a typical night on the road for the Marx Brothers and illuminates the inner workings of the vaudeville business, especially during its peak in the 1920s. As Bader traces the origins of the characters that would later come to be beloved by filmgoers, he also skillfully scrapes away the accretion of rumors and mythology perpetuated not only by fans and writers but by the Marx Brothers themselves. Revealing, vital, and entertaining, Four of the Three Musketeers has taken its place as an essential reference for this legendary American act. Now, the updated edition adds newly discovered performances-some submitted by readers-and additional information provided by descendants of long-departed vaudevillians mentioned in the book.

Susan Fleming appeared in three Broadway shows and twenty-eight films before she turned her back on a show business career she never really enjoyed or wanted. The role of her lifetime came when she married Harpo Marx in 1936. Together, they raised four adopted children and enjoyed one of Hollywood's happiest and most successful unions. But their twenty-year age difference made Susan a young widow in 1964. On her path to Hollywood, Susan worked in Broadway musicals produced by Florenz Ziegfeld and George White and befriended a young dancer who would later be known as Paulette Goddard. In Hollywood, she appeared in films with stars like John Wayne, W.C. Fields, and Katharine Hepburn and worked at all the major studios. But it wasn't until she fell in love with a confirmed bachelor, twenty years older than her, that she found her purpose. Her story is the counterpoint to the beloved and acclaimed Harpo Marx autobiography, Harpo Speaks! Susan's frank, opinionated perspective provides a true look behind the curtain and details Harpo's last years, following the publication of his own book. Susan's account of her more than thirty-year adventure with Harpo includes encounters with people like Charlie Chaplin, William Randolph Hearst, Salvador Dali, Somerset Maugham, Joan Crawford, Howard Hughes, George S. Kaufman, Helen Keller, Oscar Levant, Jean Harlow, Bugsy Siegel, Samuel Goldwyn, Menachem Begin, Ginger Rogers, Alexander Woollcott, and of course, the Marx Brothers. Susan provides an inside look at the family and pulls no punches when discussing her brothers-in-law, who weren't always her favorite comedians.

Before film made them international comedy legends, the MarxBrothers developed their comic skills on stage for twenty-fiveyears. In Four of the Three Musketeers: The Marx Brothers onStage, Robert S. Bader offers the first comprehensive history ofthe foursome's hardscrabble early years honing their act in frontof live audiences. From Groucho's debut in 1905 to their final live performancesof scenes from A Night in Casablanca in 1945, the brothers' stagecareer shows how their characters and routines evolved beforetheir arrival in Hollywood. Four of the Three Musketeers drawson an unmatched array of sources, many not referenced elsewhere.Bader's detailed portrait of the struggling young actorsboth brings to vivid life a typical night on the road for the MarxBrothers and also illuminates the inner workings of the vaudevillebusiness, especially during its peak in the 1920s. As Bader traces the origins of the characters that would latercome to be beloved by filmgoers, he also skillfully scrapes awaythe accretion of rumors and mythology perpetuated not only byfans and writers but by the Marx Brothers themselves. Revealing,vital, and entertaining, Four of the Three Musketeers will take itsplace as an essential reference for this iconic American act.

(Applause Books). Groucho Marx was a comic genius who starred on stage and in film, radio, and television. But he was also a gifted writer the author of a play, two screenplays, seven books, and over 100 articles and essays. This newly expanded collection presents the best of Groucho's short comic pieces, written over a period of more than fifty years between 1919 and 1973 for the New York Times, the New Yorker, the Saturday Evening Post, Variety, the Hollywood Reporter, and other newspapers and magazines. Here is the one and only Groucho on his family, his days in vaudeville, his career, World War II, taxes, and other topics from his love of a good cigar to his chronic insomnia, from "Why Harpo Doesn't Talk" to "The Truth About Captain Spalding." The familiar irreverence, wordplay, and a dash of self-deprecation bring Groucho's wisecracking voice to life in these pages, firmly establishing him as one of the world's great humorists. Groucho Marx and Other Short Stories and Tall Tales (a title of Groucho's own choosing) is essential reading for Marx Brothers fans, and a hilarious and nostalgic trip through the twentieth century.